Futurism was embraced in Pre-Revolutionary Russian heartily by a small but ambitious group of artists and poets. They published their own manifesto (OF COURSE) called A Slap In The Face Of Public Taste. (points for a good title)
They spawned in 1912 and like their Italian counterparts they adopted the painting style of Cubism in 1913, although apparently independently of the Italians. Aristarkh Lentulov came back from Paris having adopted the Cubist style and the Russian Futurists embraced it zealously, just like the Italian Futurists did.
The Russians developed in their own way. Although they too embraced dynamism, movement, machines,modernity and an absolute disdain for the past, they eschewed the Fascist ideology of the Italians, were much more active in literary futurism, openly disdained war (but embraced the Russian Revolution whole heartedly as the dawn of a new era and the end of the old) and denied influence from ANYbody, not even Marinetti, the Italian founder of Futurism, himself.
In fact, when Marinetti visited Russia the Russian Futurists messed with him at every turn and declared they owed him nothing.
The Russian Futurists embraced both the Revolution and Communism when it came and Futurism thrived briefly under Communism before being engulfed and absorbed by the Communist style which would emerge triumphant and which we can all still picture today.
The Russian Futurists even made some Futurist Opera. You know how much i love you. You know that i wouldn’t leave the 3 of you who are still interested in these Futurist posts hanging in morbid curiosity as to what on earth Futurist Opera from 1913 is like. Well, it’s like this:
