{"id":5406,"date":"2013-05-26T21:20:28","date_gmt":"2013-05-26T21:20:28","guid":{"rendered":"http:\/\/steampunkopera.wordpress.com\/?p=5406"},"modified":"2013-05-26T21:20:28","modified_gmt":"2013-05-26T21:20:28","slug":"forbidden-planet-soundtrack","status":"publish","type":"post","link":"https:\/\/paulshapera.com\/temp\/forbidden-planet-soundtrack\/","title":{"rendered":"Forbidden Planet Soundtrack"},"content":{"rendered":"<p style=\"text-align:center;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" alt=\"Forbidden Planet soundtrack\" src=\"https:\/\/i0.wp.com\/weirdorecords.com\/zen\/images\/14706.jpg?resize=525%2C525\" width=\"525\" height=\"525\" \/><\/p>\n<p>I should do a post purely on the movie Forbidden Planet. It&#8217;s impact on science fiction is incalculable.<\/p>\n<p>But let&#8217;s simply today focus on the soundtrack. The soundtrack\u00a0\u00a0was composed by\u00a0Louis and Bebe Barron. MGM producer\u00a0Dore Schary\u00a0discovered the couple quite by chance at a\u00a0beatnik\u00a0nightclub in\u00a0Greenwich Village\u00a0while on a family Christmas visit to\u00a0New York City; Schary hired them on the spot to compose his film&#8217;s musical score. While the\u00a0theremin\u00a0(which was not used in\u00a0Forbidden Planet) had been used on the soundtrack of\u00a0Alfred Hitchcock&#8217;s\u00a0Spellbound\u00a0(1945), the Barrons&#8217; electronic composition is credited with being the first completely\u00a0electronic\u00a0film score; their soundtrack preceded the invention of the\u00a0Moog synthesizer\u00a0by eight years (1964).<\/p>\n<p>For the 1950s this thing is FAR out, baby. You might ask why i&#8217;m so preoccupied with really far out electronic music for a project like the AO, which will clearly be melodic and attempt to not go so far from the nature of the first two.<\/p>\n<p>For one thing, i need to get a feel for the sound of the OLD electronic sounds. Most of the synths we think of and recognize are from the 80s onwards. Sounds that don&#8217;t depict atompunk, but our actual modern time. Those are the sounds i want to use and feel. I&#8217;m not saying i won&#8217;t cheat (i always cheat. I will do ANYthing to make the project sound good. No matter my intention, if i can&#8217;t make something work i will shamelessly cheat my brains out.) but i will try like hell.<\/p>\n<p>Another reason i&#8217;m preferring teh far out stuff is that i can reflect on it without having it tied to the methods and uses of today. The 90s was an paradise of electronic music. SO much was done with it. I LOVE me some 90s electronica (as we called it in the states) and i need to try and not get stuck into a 90s approach\u00a0(and onwards, but the 90s was when it all exploded).<\/p>\n<p>I doubt i&#8217;ll fully succeed, but this is not about succeeding and failing so much as finding a method that does the job of making a great sounding album that gives the listener an atompunk feel.<\/p>\n<p>Plus, for the really crazy stuff i fool about with, there&#8217;s always the 3rd Act, when i can stretch out a bit and go a little nuts.<\/p>\n<p>Thus my friends, without further ado, the soundtrack to Forbidden Planet.<\/p>\n<p>[youtube=http:\/\/www.youtube.com\/watch?v=IbFAXhPlZMw]<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I should do a post purely on the movie Forbidden Planet. It&#8217;s impact on science fiction is incalculable. But let&#8217;s simply today focus on the soundtrack. The soundtrack\u00a0\u00a0was composed by\u00a0Louis and Bebe Barron. MGM producer\u00a0Dore Schary\u00a0discovered the couple quite by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[36,404],"class_list":["post-5406","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-atompunk","tag-the-atompunk-opera","clearfix"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/posts\/5406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/comments?post=5406"}],"version-history":[{"count":0,"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/posts\/5406\/revisions"}],"wp:attachment":[{"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/media?parent=5406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/categories?post=5406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulshapera.com\/temp\/wp-json\/wp\/v2\/tags?post=5406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}